Review by Rachel Jablonski
An article recently published in the medical journal Thorax (2004; 59:722-724), perhaps of interest to volume crankers and concert goers, correlates pneumothorax, lung collapse, with listening to loud music. The article cites a mere four alleged cases through which this expert opinion has been formed. It is suspected however, that many more cases have occurred to which experts are not aware.
The thought is that the intense pulses of low-frequency, high energy sound causes the lungs to rupture. This suggestion seems to be a valid argument that should be expanded upon. But to conclude heavy music is the cause of pneumothorax based on the account of only four individuals seems to be a rash jump in my analytical mind. Without being told the patient’s medical history or experience with drugs and alcohol in addition to knowing whether or not the patient is a smoker (all of which are factors contributing to pneumothorax), I perceive the assumption to be inconclusive at this point. But I’m no doctor. The prescription being advised by certified professionals involves avoiding clubs and concerts, or at least standing far from speakers, turning down stereos, and abandoning heavy bass in the car. What could this mean for music lovers that like it heavy and loud? Are we upon the collapse of heavy music? Will metal soon breathe its last breath?
Well, perhaps the experts are right. Metal fans, protect your lungs. Ashes of the Wake, the new album from Virginia’s Lamb of God, is going to raise your pulse, surge your adrenaline, and knock the wind right out of you! The high energy aura complete with pounding bass guitar and drum, penetrating rhythm and lead guitars, and eruptive vocals will leave any metal fan breathless. With fast, desirous guitar solos and solid vocal patterns impeccably matching thunderous rhythms, Ashes of the Wake is a musical array with much character. Simply put, you are not going to find a better album in 2004.
The first thing fans familiar with New American Gospel and As the Palaces Burn, the previous albums from Lamb of God, may notice is a dramatic change in the quality of production. Losing the raw, somewhat stifled sound, the production on Ashes of the Wake exemplifies a powerful delivery that is brisk and full. The clear, resounding creation enhances the electric whisper of lead guitar fulfilling the solo element that many metal heads continually crave.
The solos within the title track “Ashes of the Wake” come to mind particularly. It is an impressive piece, completely instrumental, with a booming rhythm section and striking lead guitar. Overtop the instrumentation in the intro of the song, vocalist Randy Blythe contributes an unfaltering monologue expressing his interpretation of the facts surrounding U.S. involvement in the war in Iraq. Though the subjects of politics and religion are typically taboo in most arenas, Lamb of God is not concerned which is proven not only through subtle and sometimes blatant political content or religious metaphors within songs, but in musical assault as well. An important aspect of this to note is the use of the words “I” and “We” when Blythe professes his political monologue. This wording should be recognized because it is as if he is possessing ownership to the actions and consequences. Thus, the statement should appear non-threatening to those with differing points of view. No harm, no foul, it’s ok, don’t worry about it because this is a new type of war. This is eradication.
Each track on the album carries its own charm. For example, “Blood of the Scribe” is one of the ten tracks that exhibit the stimulating vocal ability of Blythe. The low grumbling of the words BLOOD OF THE SCRIBE induces a tingly adrenaline boost pumping energetic blood through inescapable veins. “Remorse is for the Dead” is a slower song initially with pretty guitars complementing one another. The song soon breaks from the steady beat into heavy and rough, but beautiful metal.
I have developed a deep appreciation for Lamb of God over the course of the last two albums. The band's musical fury, engaging vocals, and high energy simply rocks. Lamb of God very well may prevent the collapse of metal. And what of the threat of music induced pneumothorax? It is a dangerous threat, or so the experts would like us to believe. Just be aware of the concern and preventative suggestions. Until there are more studies and research done to prove the theory however, enjoy your low frequency, high energy music responsibly.